Screen Rant

Venice International Film Festival

The Venice International Film Festival is the world's oldest film festival, held annually in Venice, Italy. It showcases international films, including premieres from renowned directors, and awards prestigious honors like the Golden Lion. The Venice International Film Festival 2024 takes place from August 28-September 2.

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Venice International Film Festival custom poster
Venice International Film Festival

Location
Venice, Italy
Dates
August 28-September 2, 2024
Website

https://www.labiennale.org/en/cinema/2024

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Queer Review: Daniel Craig Does Career-Best Work In Luca Guadagnino’s Deeply Surreal LGBTQ Drama

Featuring the most surreal imagery of his career, Queer is as if Luca Guadagnino combined the sensibilities of his last four movies into one.

Harley Quinn (Lady Gaga) and Joker (Joaquin Phoenix) in an arrogant attitude leaving the court in Joker: Folie à Deux
Joker: Folie à Deux Review – An Improved Sequel Engineered To Antagonize Joker Fans

It seems like Todd Philips targeted Folie à Deux directly at the audience who got a little too into Joker – and made it to antagonize them.

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Sam Worthington looks up skeptically in Horizon Chapter 2
Horizon: An American Saga Chapter 2 Review – 6 Hours In & Costner’s Western Still Seems Like TV [Venice]

I should be able to applaud Costner’s insistence on theatrically released movies, but after seeing Horizon: Chapter 2, I’m still scratching my head.

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A bloodied Takeshi Kitano pulls a face while seated at an interrogation table in Broken Rage
Broken Rage Review: Japanese Action Comedy Needs Only 62 Minutes To Bring The House Down [Venice]

Once Broken Rage’s full purpose came into view, energy rippled through the audience, and it became my most fun screening at Venice this year.

Junyang gazing intently at a wall of security camera feeds in Stranger Eyes
Stranger Eyes Review: Surveillance Thriller About A Missing Child Is The Great Kind Of Slow Burn [Venice]

Stranger Eyes has a straightforward thriller premise, but as it leads us around corners into places we didn't expect to be, its true shape unfolds.

Tilda Swinton and Julianne Moore look out of a window in The Room Next Door still
The Room Next Door: Pedro Almodóvar’s First Feature In English Is An Oddly Fractured Experience [Venice]

Almodóvar’s fingerprint is there, undoubtedly. But the movie feels strangely incomplete, as if made with one hand tied behind his back.

Brad Pitt and George Clooney looking annoyed with each other in Wolfs
Wolfs Review: Apple Has Done This George Clooney & Brad Pitt Comedy A Huge Disservice [Venice]

It seems Clooney, Pitt, and director Jon Watts figured out what they needed to make Wolfs was their version of a Shane Black movie, Christmas and all.

Adrien Brody leans against Felicity Jones in The Brutalist still
The Brutalist: Super-Sized Historical Drama Is A Colossal Triumph Worth Every Second Of Its Runtime [Venice]

The Brutalist is a colossal achievement, balancing intimacy and scale at every level of craft. At 3 hours, 35 minutes, every second is well spent.

A man holds a woman smoking in bed in Kill the Jockey still
Kill The Jockey Review: Argentinian Sports Drama Delivers A Confounding Journey Worth Taking [Venice]

For a few minutes, I thought Kill the Jockey might end up my favorite movie premiering at this year’s Venice Film Festival. Then it changed.

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Beetlejuice (Michael Keaton) looking shocked in Beetlejuice Beetlejuice
Beetlejuice Beetlejuice Review: Sequel Pitfalls Can’t Keep Down Tim Burton’s Most Joyful Movie In Years [Venice]

Burton has credited his Beetlejuice Beetlejuice experience with rekindling his love of filmmaking, and I think there's something to that.

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