The team behind this raunchy, hilarious feature deliver interconnected character studies that make you feel like American comedies are back.
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Oliver Hermanus' The History of Sound lands somewhere between expectations and the underwhelming pic it flirts with becoming.
Several of the world premieres at this year’s Cannes Film Festival have received very long standing ovations, which is typical for the festival.
Spike Lee going for a lighter tone, he achieves something different here, which makes Highest 2 Lowest easier to love in a way.
The Cannes Film Festival is often attended by some of the world's biggest stars & this year is no different with its slate of highly-anticipated films
For a first feature, it’s a startlingly confident, overwhelmingly sexy debut for Harry Lighton.
Denzel Washington premiered Highest 2 Lowest at Cannes this week, but not everything went well as he had a run-in with a paparazzo on the red carpet.
Julia Ducournau's Titane follow up Alpha is part horror story, part family drama & it is as emotionally grueling as it is rewarding and discomfiting.
The Secret Agent isn’t your typical espionage thriller, but it’s all the better for how it plays with genre, tone, and expectations.
Nouvelle Vague is both a classic Richard Linklater hangout movie and an ode to the French New Wave, simplistic in nature and charming nonetheless.
Jennifer Lawrence's transformative performance in Lynne Ramsay's Die, My Love grounds the psycho-drama's domestic mayhem.
The Phoenician Scheme is a zany but hollow thriller with a breakout performance from its central star Mia Threapleton.
The Chronology of Water, through all its intricacies and fragments, is a stunning debut overflowing with confidence, authenticity, and soul.
Wild Foxes is a unique and bracing boxing movie that uses the backdrop of a coming-of-age to transcend the sports drama for something greater.
Sons of the Neon Night is visually stunning, but the film's story and massive cast of characters proves too sprawling to control.
Dossier 137 delivers the pieces necessary to remind us that bad apples are merely born from their rotten systematic tree.
Eddington is a galaxy-brained COVID western comedy that bites off more than it can chew, but it still feels irable for capturing the times.
Amrum doesn't confront all the questions it poses, serving as a meditation on the ways a child might respond to a world he doesn't fully understand.
An impressive feature from director Sergei Loznitsa, with equally remarkable performances led by Aleksandr Kuznetsov.
Sirat is an electrifying piece of filmmaking - an apocalyptic parable about a road trip through the desert set to a thumping techno score.
Sound of Falling is a challenging film that is hard to sit through both because of its unique cinematic language & what it asks us to bear witness to.
