Many of the greatest movies ever have a key factor in common: their movie logos quickly made an impression on viewers. Bold lettering, memorable icons, and striking color combinations can all contribute to effective movie logos. It is useful to know how the logos fit into their franchises and what they offer to their films' legacies.
There are plenty of stories to be told when it comes to movie artwork and development, and there is so much more to a logo than meets the eye. Which film series has the most iconic, unforgettable logo?
Dirty Dancing
Jennifer Grey and Patrick Swayze lit up the screen with their ion in Dirty Dancing (1987). Their close pose on the movie poster is just as iconic as the sexy purple lettering for the film's logo. As beloved as that brush-drawn font and those alliterative words are today, Dirty Dancing could have been called I Was a Teenage Mambo Queen. Thank goodness the movie poster turned out as it is with the name that fans know and love.
Harry Potter
Harry Potter's logo is emblematic of the lightning-bolt scar Voldemort left on baby Harry, and fans are accustomed to seeing the lettering in various colorations across the franchise. The movies, books, video games, and other merchandise are marked by the logo, which was originally created by Mary GrandPré. GrandPré was able to read J.K. Rowling's Harry Potter books before the general public in order to create her illustrations for cover and chapter art according to each story.
The Godfather
Graphic designer S. Neil Fujita created the logo for The Godfather (1972) before it was even a movie. Fujita's design was used for the release of Mario Puzo's novel. Fans of the famous film series can't imagine any logo other than the "puppet strings," but Paramount did not want to use the classic insignia for the first film.
Since Mario Puzo was Francis Ford Coppola's co-writer for the movie script, Coppola stood his ground to retain S. Neil Fujita's logo with Puzo's name included on the poster.
Ghostbusters
The logo for the Ghostbusters franchise has to be one of the cutest and most popular of any movie series. National Lampoon magazine's celebrated art director, Michael C. Gross, was also a film producer and graphic designer. The New York Times reported that Gross created the logo with artist Brent Boates, using the "no" symbol "to print a teaser poster at a time when the studio had not yet secured the rights to the [Ghostbusters] name." In addition to giving the franchise an instantly recognizable face, Michael C. Gross was also a producer for the first two movies.
E.T.
Whether it is alone or accompanied by Elliott bicycling with E.T. bundled up in his basket, the took on the silhouette of Elliott and E.T. on the bicycle as part of its logo.
Batman
Spanning comic books, action figures, other products, and television and film, continues to evolve over time, the Bat-Signal will always remain important to the legacy of the whole franchise.
Star Wars
Of all the space sci-fi movies in the world, none have logos quite like the bold letters that spell the represented the franchise for over four decades, Rice read about German type design, which led her to select Helvetica Black.
Back To The Future
Drew Struzan's Back to the Future poster artwork is legendary. While the DeLorean might take the cake as one of the movie's biggest symbols, the logo with the movie's title is a strong identifier of the trilogy. The lettering is evocative of time travel, especially with the arrow leaning into the "k" on "Back."
Other little details convey the past and future tenses of the movies. "Back" leans to the left while "to the Future" leans to the right. Add in Marty McFly and Doc checking their watches, and the revolutionary stories from the trilogy can be relived in the blink of an eye.
James Bond
The James Bond franchise's 007 logo has seen many shifts since its first appearance in 1962. Mitchell Hooks and David Chasman have both been credited with the poster art of the first James Bond movie, Dr. No. Just as Bond has been portrayed by several different actors over time, his Agent 007 marker has adapted with the many film adaptations of Ian Fleming's writing.
Jurassic Park
Steven Spielberg opted to continue without a real-live dinosaur in the logo, and a marketing executive named Tom Martin gathered a team to finish off the Universal logo. John Alvin was also an artist for the movie poster.
