While many horror movies can be groundbreaking, putting audience on the edge of their seats with suspense using horrifying narrative stakes and selective cinematography, other horror movies aren't always as great. Instead, many movies in this genre are cheaply made in an attempt to rake in viewers. While they may still terrify people with cheap jump scares, the narrative stakes often aren't there, making the frightening moments feel rather pointless.
One of the most reliable ways to tell if a horror movie is actually good or not is to check their score on Rotten Tomatoes. While critics and audience don't always agree in every genre, they tend to see eye to eye in the horror genre, at least when looking for a truly thrilling movie rather than a cheap story with empty stakes. Recently, movies like Get Out and A Quiet Place thrilled audiences with an exciting narrative that kept people emotionally hooked, while also using unique tactics to keep things scary.
For this list, we will be looking at the horror movies with the highest and lowest percentages on Rotten Tomatoes. These are films that a majority of critics agree are either the best of the best, or the worst of the worst. We will, however, be skipping some of the movies that have a 100% that only have that score because a small number of critics reviewed the movie. These are typically made by small production companies that go unnoticed by most critics, and would have an unfair advantage when it comes to their scoring.
With this in mind, here are the 15 Best Horror Movies According To Rotten Tomatoes (And 15 Stuck At 0%).
30. Psycho (1960) - 97%
Alfred Hitchcock's Psycho was a groundbreaking horror movie, showing the gradual investigation of a psychopath who dresses as his mother to entrap victims who stay at his hotel.
Psycho was unlike anything anyone had seen when it first came out, using unique camera angles and quick cuts to show horrific actions and gore in its now iconic shower scene without actually showing any stab wounds.
Unlike most other horror movies at the time, Psycho showed that fear and horror can be realistic, using a realistic, human antagonist rather than a supernatural vampire or monster.
Clowntergeist (2017) - 0%
In 2015, the classic horror flick Poltergeist received a rather disappointing reboot. However, despite the disappointment, Poltergeist still brought in a decent audience, which inspired High Octane Pictures, a production company best known for making rip-offs of box office hits, to bring life to this atrocity.
The Poltergeist poster and marketing put a focus on the toy clown, which played a minor part in the original movie. Clowntergeist took this to a new level by making the supernatural being haunting the protagonist both a clown and a poltergeist. While any other production company could have pulled this off, Clowntergeist ended up feeling like a bare parody.
The Babadook (2014) - 98%
One of the biggest horror surprises of recent years was The Babadook, which was marketed as just another cheap horror movie banking off of jump scares, but ended up being a heartfelt drama that had enough narrative elements to make the story absolutely horrifying.
While the plot of the movie focused on a supernatural force, the Babadook, haunting a single mother and her son, the movie itself seemed to be about the mother-son relationship, with this grief-stricken mother learning more about her son as she learns more about the monster that is haunting him. It left audiences worrying about the fate of both of these characters by the end of the film.
Return of the Living Dead Part II (1988) - 0%
Whereas 1985's Return of the Living Dead was a refreshing take on the zombie genre, raking in a large audience and earning itself a whopping 91% on Rotten Tomatoes, its sequel fell several graveyards short.
Everything clever about the original movie, the sequel completely abandoned, creating yet another cheap, phony-looking zombie movie that had given the sub-genre such a poor name.
While the third installment of the franchise, Return of the Living Dead Part III, was a bit better, it still was not able to fix the damage Part II had done to what could have been a truly fantastic franchise.
Eyes Without A Face (1962) - 98%
One of the best strategies a horror movie can use is showing as little as possible. While horrifying beasts and monsters are almost always scary, they are not as scary as the mystery of not knowing what is pursuing you. This is a strategy that Eyes Without A Face used brilliantly, and it still holds up as a fantastic horror film even today.
By combining the mystery of horror with a truly poetic narrative, Eyes Without A Face was able to cause intense discomfort in its audiences without needing to show anything at all, inspiring countless horror movies to copy its methods.
The Thing With Two Heads (1972) - 0%
As one can imagine, The Thing With Two Heads ended up being just about as non-creative as its awful title. In a rip-off of the Frankenstein series, a racist doctor tries to save his own life by connecting his head to the body of a man about to face capital punishment.
The Thing With Two Heads suffers by trying to be too much at once, carrying elements of a horror movie, an action-packed thriller, and a humorous buddy comedy. However, at the end of the day, it only ends up being two things: racist and horrible.
The Vanishing (1988) - 98%
The Vanishing is a unique horror movie, featuring the psychopathic villain of the movie as the protagonist, taking a deeper look into his mind and motivations as the story continues, leaving audiences uncomfortable with how they feel about this monster as the movie progresses.
The absolute best factor of The Vanishing that made it into such a hit was its highly climactic ending.
Its ending left audience traumatized for weeks after viewing it. The Vanishing is surely a movie that any fans of the horror genre needs to see at some point in their lives.
Leprechaun 2 (1994) - 0%
The first Leprechaun movie, starring Star Wars' Warwick Davis, was certainly not a good movie, but its sequel, Leprechaun 2, showed that the original could have been so much worse. Leprechaun 2 tried to show some of the Leprechaun's origins in a jumbled plot that really didn't make any sense at all.
Arguably, the worst factor of Leprechaun 2 was how creepy it was. While most horror movies are improved by being creepy, this horror sequel just made audiences feel uncomfortable, with its entire plot focusing on the Leprechaun stalking women in an attempt to find a wife.
Let The Right One In (2008) - 98%
Coming out the same year as Twilight, Let the Right One In takes a similar twist on the vampire sub-genre, but in a much more compelling way. After a young boy befriends an anti-social girl at his school, he discovers that she is secretly a vampire and is responsible for taking the lives of a large number of victims across their town.
Let the Right One In succeeds because it uses its horrifying, supernatural aspects perfectly by blending it with romance and emotion, raising the stakes in a beautifully compelling manner.
Hellraiser: Hellseeker (2002) - 0%
Hellraiser was never particularly a great franchise, but the 2002 instalment, Hellraiser: Hellseeker, took the franchise to a new low. The movie faced an unoriginal plot, with the villainous Pinhead once again returning to torture the world, before being easily cast back to where he came, which is pretty much what every previous movie in the franchise was about.
What made Hellraiser: Hellseeker stand out as the worst in the franchise, however, was the fact that Pinhead was barely even in it.
Instead, the story followed a few poorly written protagonists who only talked about Pinhead instead of actually coming face-to-face with this unsatisfying villain.
