Summary

  • Sitcoms have tackled difficult topics like racism and domestic abuse, breaking barriers in TV.
  • Iconic episodes like "The Contest" from Seinfeld bravely addressed taboo themes with humor.
  • Shows like Scrubs and Brooklyn Nine-Nine set new standards by delving into social issues in depth.

Warning: This article discusses difficult topics, including racism and domestic abuse.

Although sitcoms have always prioritized humor, several core episodes still massively impacted the genre and the TV industry in meaningful ways. Some of the highest-rated TV episodes were memorable not only because they were funny, but also because they bravely addressed important social issues. Others were notable because of when they aired in history or fascinating new production techniques that were implemented.

Some of groundbreaking shows changed how TV was watched by breaking down the barriers of discussing difficult topics and encouraging other titles to do the same. While sitcoms may have been created with a focus on laughter and lighthearted storylines, over time, some episodes became legendary for how they changed the genre.

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10 The Contest - Seinfeld

Season 4, Episode 11

Seinfeld Poster

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Seinfeld
Release Date
1989 - 1998-00-00
Network
NBC
Showrunner
Larry David

WHERE TO WATCH

Streaming

Seinfeld stars Jerry Seinfeld as a stand-up comedian whose life in New York City is made even more chaotic by his quirky group of friends who him in wrestling with life's most perplexing yet often trivial questions. Often described as "a show about nothing," Seinfeld mines the humor in life's mundane situations like waiting in line, searching for a lost item, or the trials and tribulations of dating. Co-starring is Julia Louis-Dreyfus as Jerry's ex-girlfriend and current platonic pal, Elaine Benes; Jason Alexander as George Costanza, Jerry's neurotic hard-luck best friend; and Michael Richards as Jerry's eccentric neighbor, Kramer.

Directors
Jason Alexander
Seasons
9

The Seinfeld episode “The Contest” revolved around an intense competition between Jerry, George, Elaine, and Kramer to see who could go the longest without masturbating. At the time of airing, this was a highly controversial subject matter. However, the way the episode was executed set Seinfeld apart from other sitcoms. Throughout the hilarious endurance match, the word masturbation did not feature once, and the characters used various euphemisms as a replacement, including phrases like “Lord of the Manor” and “King of the Castle.”

That sexuality was relevant at any age

This was a brilliant way for Seinfeld to work around the taboo topic and certain language attached to it, which paved the way for other sitcoms and TV shows to follow. The direct avoidance of acknowledging the proper wording for the gang’s self-denial added an extra layer of humor to the episode, too, because of how obvious it was. It was also interesting to see such a storyline covered by characters who weren’t a group of teenagers, which proved that sexuality was relevant at any age.

9 My Screw Up - Scrubs

Season 3, Episode 14

ScrubsTagImage

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Scrubs
Release Date
2001 - 2010-00-00
Network
NBC
Showrunner
Bill Lawrence
  • Headshot Of John C. McGinley
    John C. McGinley
  • Cast Placeholder Image
    Robert Maschio

WHERE TO WATCH

Streaming

Scrubs is a Sitcom and Medical Comedy/Drama created by Bill Lawrence that follows a group of medical students throughout their daily lives at the Sacred Heart Teaching Hospital. The series stars Zach Braff, Sarah Chalke, and Donald Faison, as they work their way up from Medical Interns while juggling all sorts of hospital shenanigans.

Directors
Bill Lawrence
Seasons
9

While many sitcoms have an episode when over-the-top comedy is discarded for a profound moment, no show did it as well as Scrubs, with the episode “My Screw Up.” The episode is considered to have one of the biggest sitcom plot twists ever because it spent so long luring audiences into a false sense of security, only for a shocking death to be revealed at the end. Dr. Cox remained close with his ex-brother-in-law and best friend, Ben, but when he believed that they were due to attend his son’s first birthday party, he was actually at Ben’s funeral.

This jarring development was a moment in Scrubs that made many cry. While the show covered rather difficult topics, being set in a hospital, the show hadn’t encountered such emotional ground until “My Screw Up.” This episode was also the start of a brilliant character arc for Cox, who was proven to be more than just an aggressive comedic device. His complexities as a person were highlighted through his grief, and Scrubs did a perfect job with the overall tone of the episode. Scrubs knew when to stop the laughs without fear of ruining the show’s pacing or value.

8 Pilot - Mary Kay And Johnny

Season 1, Episode 1

Mary Kay And Johnny

Mary Kay and Johnny was formulaic TV show focused on the titular characters’ marriage and the issues they faced together, but each episode ended with everything wrapped up.

The show introduced the trope of a frustrated husband and a less-than-intelligent wife, which was a big part of its humor. Mary Kay and Johnny created several other firsts in the sitcom genre during its three years on the air. It was the first show to present a couple in bed together, which was a shocking sight to see on television in the 1940s. In 1948, Mary Kay attempted to hide her pregnancy while filming the show, but it was eventually written into the show. The Stearns’ son, Christopher, then appeared on the show at just a few weeks old.

7 Hollywood, Part 3 - Happy Days

Season 5, Episode 3

Happy Days

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Happy Days
Release Date
1974 - 1984-00-00
Directors
Jerry Paris
Writers
Garry Marshall

WHERE TO WATCH

Streaming

Happy Days is a television series set in the 1950s and 1960s, exploring the lives of the Cunningham family and their friends in Milwaukee. Starring Ron Howard as Richie Cunningham and Henry Winkler as Arthur "Fonzie" Fonzarelli, the show captures the essence of mid-20th century American life. Premiering in 1974, it enjoys iconic status for its nostalgic portrayal of teenage life and family dynamics.

Seasons
11

"Hollywood, Part 3" marked a notable shift in the storytelling and overall style of Happy Days. The show was generally focused on a group of teenagers in 1950s Milwaukee, but the season 5 "Hollywood" episodes sent the gang out to California for Fonzie’s film audition. However, this led to one of the most nonsensical plotlines in sitcom history when Fonzie crossed paths with “the California Kid.” Fonzie’s mysterious rival challenged him to jump over a shark on a pair of water skis, and he was absurdly successful in his attempt.

This wild moment led to the creation of the TV term “jump the shark.” This phrase continued to be used throughout the television industry to refer to a creative decision deemed to be too exaggerated or different from its original premise. It has also been used to refer to a show running out of new ideas altogether. Jumping the shark” set a precedence for future sitcoms in good and bad ways. It taught shows to analyze storylines and think about whether they were too ludicrous, but it also challenged other sitcoms to outdo the ridiculousness of "Hollywood, Part 3."

6 Papa's Got a Brand New Excuse - The Fresh Prince of Bel-Air

Season 4, Episode 24

The Fresh Prince of Bel-Air TV Poster
Fresh Prince of Bel-Air
8/10
Network
NBC
Showrunner
Andy Borowitz
Directors
alfonso ribeiro
Writers
Andy Borowitz

Cast

  • Headshot Of James Avery
    James Avery
  • Cast Placeholder Image
    Ross Bagley

The Fresh Prince of Bel-Air follows Will Smith (Will Smith) after he gets himself sent away from the mean streets of his native West Philadelphia to the affluent Bel Air neighborhood. Living with his wealthy Uncle Phil and Aunt Vivian, Will befriends his cousins and adjusts to a life that's the polar opposite of everything he's accustomed to. Even with a butler and an expensive education, Will finds that growing up isn't easy, regardless of circumstance. 

Seasons
6

The Fresh Prince of Bel-Air’s famous episode "Papa's Got a Brand New Excuse" contained one of the most emotional monologues from a TV show ever. From the second the episode aired, it was clear that Will’s rant about his absent father would be ed for a long time. Will’s heartbreaking remarks about his father failing to come through for him, which had happened numerous times before, allowed for some fascinating character development. Unlike in previous instances, Will could see his neglectful parent for exactly what he was.

Will Smith’s saddest moment saw him tell Phil about what he’d do better as a future father was moving, especially when he allowed himself to inevitably break down in his uncle’s arms and ask, “Why don't he want me?" In Smith’s 2021 memoir, Will, he revealed that his father was abusive to his mother in childhood. Although this wasn’t known at the time of filming, it can be seen just how impactful the scene was to Smith. The emotion that resonated from him was so thought-provoking it broke the barrier and allowed other sitcoms to tackle more difficult topics comfortably.

5 Pilot - The Hank McCune Show

Season 1, Episode 1The Hank McCune Show

The Hank McCune Show's most significant contribution to the sitcom genre was the introduction of the laugh track. The 1950s TV show was notably shot without a live studio audience, which was an unusual thing to see at the time. Instead of real responses, the show implemented a pre-recorded track of laughter into its scenes. The Hank McCune Show was the very first show to do this and gained significant attention for doing so. The laugh track played over Hank McCune, portraying a fictional version of himself as he hosted a variety show and got into all manner of predicaments.

The Hank McCune Show was endearing for being a show within a show, but its use of a laugh track made it groundbreaking. The idea of a laugh track initially made producers wary and feared that a false reaction wouldn’t be authentic. However, shows like The Pride of the Family and I Love Lucy quickly followed suit. The show was canceled after three months but eventually returned without the laugh track. Although it took time for the industry to get used to laugh tracks, it became such a staple in sitcoms that it became hard to imagine them without it.

4 Sophia's Choice - The Golden Girls

Season 4, Episode 22

The Golden Girls TV Poster

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The Golden Girls
Sitcom
Release Date
1985 - 1992-00-00
Network
NBC
Showrunner
Susan Harris
  • Cast Placeholder Image
    Betty White

WHERE TO WATCH

Streaming

The Golden Girls follows Dorothy Zbornak (Bea Arthur), Rose Nylund (Betty White), Blanche Devereaux (Rue McClanahan), and Sophia Petrillo (Estelle Getty) as they live together in Miami. Throughout its seven seasons, the beloved series created by Susan Harris won 11 Primetime Emmys and continues to be one of the most beloved sitcoms of the ‘80s and ‘90s.

Directors
Susan Harris
Seasons
7
Streaming Service(s)
Prime Video

The Golden Girls delved into several darker subjects throughout its run, but its most touching episode was “Sophia's Choice.” The episode highlighted the topic of elder abuse, but Sophia’s personal relation to her friend Lillian’s experiences was even more impactful. Sophia had previously stayed in a clinic after a stroke, so she was horrified to learn Lillian was residing somewhere even worse after failing to return to Shady Pines. After breaking Lillian out, Sophia was heartbroken to realize she couldn’t care for her friend properly and that the facility was ill-equipped as well, leaving her conflicted about what to do.

The institution's manager was also exhausted and struggled to ensure the full care of his patients. What made this episode so groundbreaking, however, was its end. Sophia managed to find adequate care for Lillian but couldn’t help but reflect on the situation despite the happy ending. Many elderly people were mistreated because of a lack of financial , hence why Lillian was cared for at “minimum standards.” The Golden Girls was ahead of its time because its characters were older, but this episode proved that sitcoms needed to discuss uncomfortable but important topics, regardless of age.

3 The Puppy Episode - Ellen

Season 4, Episode 22

Ellen (1994)

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Ellen
Release Date
1994 - 1998-00-00
Network
ABC
Directors
Gil Junger, Robby Benson, Tom Cherones, Gail Mancuso, Andrew D. Weyman, Alan Myerson, David Trainer, Andy Ackerman, John Tracy, Michael Lembeck
Writers
Lawrence Broch, Jonathan Stark, Tracy Newman, Mark Driscoll, David S. Rosenthal, Alex Herschlag, Richard Day, David Walpert, Mike Larsen, Mark Wilding, Rob Lotterstein, Jane Espenson, Vance DeGeneres, Tom Leopold, Maxine Lapiduss, Pamela Eells, Peter Tolan, Sally Lapiduss

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Ellen is a television sitcom that aired on ABC from 1994 to 1998, starring Ellen DeGeneres as Ellen Morgan, a neurotic bookstore owner. The series explores her interactions with friends and family and is historically significant for its 1997 episode where the main character comes out as gay.

Seasons
5
Creator(s)
Carol Black, Neal Marlens, David S. Rosenthal

Ellen’s "The Puppy Episode" was a defining moment in television as the titular character came out as gay. The two-part story beautifully reflected DeGeneres’ own experience in announcing her sexuality. DeGeneres came out in a 1997 episode of The Oprah Winfrey Show, and her character in Ellen then did the same to her therapist, who Winfrey also portrayed. "The Puppy Episode" was a historic moment for prime-time television and made Ellen Morgan the first gay lead character in a mainstream sitcom.

Despite some criticism of the episode, the storyline greatly impacted society’s view of LGBTQ+ representation in sitcoms. While it was a deep topic to cover, especially as it was so relevant to DeGeneres’ life, the show used a combination of serious and comical moments to translate the storyline brilliantly. The conversations about Morgan’s discovery added an interesting depth to the narrative and demonstrated the various real-life reactions many LGBTQ+ people encountered. Ellen’s "The Puppy Episode" had a massive impact on all TV shows after this, embracing all manner of characters and their sexualities.

2 Moo Moo - Brooklyn Nine-Nine

Season 4, Episode 16

Brooklyn 99 Poster

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Brooklyn Nine-Nine
Release Date
2013 - 2021-00-00
Network
FOX, NBC
Showrunner
Michael Schur, Dan Goor

WHERE TO WATCH

Streaming

From the creative minds of Dan Goor and Michael Schur comes Brooklyn Nine-Nine, a police comedy series set in the NYPD's fictional 99th precinct. Headed by the comedically serious Captain Raymond Holt and protagonist Jake Peralta, the detectives of the 99 deal with burglaries, drug deals, and oddities in New York City, occasionally steering into real-world issues surrounding police perception and social concerns in the 2010s and earlier. Each detective has their own unique personality that makes them stand out, creating endearing dynamics that helped the show thrive for eight seasons.

Writers
Michael Schur, Dan Goor
Seasons
8

Brooklyn Nine-Nine tackled discrimination frequently, but racism was an especially hot topic. With two black men leading the precinct, the unfair treatment of people of color was often discussed in the show. However, the episode “Moo Moo” perfectly encapsulated the fear of black people in America and their relationship with law enforcement. Terry’s tale of being racially profiled by another officer was sadly accurate but created several very important discussions. The officer failed to understand why his behavior was wrong and only apologized for not knowing Terry was a cop.

Captain Holt hesitated in filing a police report and failed to realize that he’d worked so hard to help colleagues like Terry avoid the same abuse he faced. The character development both Terry and Holt went through in “Moo Moo” was intriguing, as the two reflected on shared experiences with different outcomes. What was also impactful, however, was how the show’s white characters also pondered on the issue and acknowledged that they had the perspective to understand it to a certain degree. Brooklyn Nine-Nine never failed with complex topics, and “Moo Moo” was a perfect example of this.

1 Crime And Punishment - Roseanne

Season 5, Episode 13

Roseanne TV Series Poster

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Roseanne
Release Date
1988 - 2018-00-00
Network
ABC
Showrunner
Bruce Helford

WHERE TO WATCH

Streaming
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Roseanne was a late 80s Sitcom created by Matt Williams and starring Roseanne Barr, John Goodman, Laurie Metcalf, Sara Gilbert. The show followed a character created by Roseanne Barr herself as she attempted to navigate her family life in a fictional town in Illinois.

Writers
Roseanne Barr, Matt Williams
Seasons
10

Roseanne fantastically replicated common elements of the terrible situation through Jackie’s words.

The Roseanne episode "Crime and Punishment” amazingly translated the strength of Roseanne and Jackie’s conflicted relationship to the screen. The episode revealed that Jackie was being physically abused by her boyfriend, Fisher, a topic that sitcoms generally swerved. Roseanne sensed that Jackie wasn’t right, and her gut instinct led to the discovery of multiple awful bruises across her sister’s back. Jackie heartbreakingly blamed herself for Fisher’s actions, but Roseanne’s tender allowed her to open up about her domestic abuse slowly. Roseanne fantastically replicated common elements of the terrible situation through Jackie’s words.

Despite its candid portrayal of domestic abuse, Roseanne authentically addressed the serious social issue, and it provided a lot of hope for many. The episode broke down the stigma of the conversation and encouraged others to know it was okay to speak out. Jackie actress Laurie Metcalf won an Emmy for "Crime and Punishment,” which wasn’t surprising given her incredible performance. "Crime and Punishment” not only highlighted the power of a ive family, but it also made Roseanne stand out within the sitcom genre for the bold way it featured such a storyline.