Among most appalling body horror scenes tend to skew towards the former, making for some of the genre's standout films that have withstood ages of scrutiny.
Interestingly, despite their reliance on special effects to work, some of the best body horror movies are mired in practical effects, with the medium somehow working more realistically when done with lovingly-crafted prosthetics. The infamous works of David Cronenberg stand out in this arena, being responsible for some chilling imagery that explores the true lengths the human body can go to in cinema. Whether traditionally sculpted or computer generated, the most recognizable body horror films stand out for their grostesque imagery and bizarre stories.
10 The Fly
Re-Made A Charming B-Movie Into A Nightmare

The Fly
- Release Date
- August 15, 1986
- Runtime
- 96 minutes
- Director
- David Cronenberg
Cast
- Seth Brundle
- Geena DavisVeronica Quaife
The Fly follows scientist Seth Brundle as he makes a groundbreaking teleportation experiment. During testing, he inadvertently merges with a housefly, leading to unforeseen consequences.
David Cronenberg's best-known film by far, The Fly is a true test of one's stomach for terrifying gore and an exploration of the human mind's capacity for animalistic influence. Loosely based off the iconic science fiction B-movie of the same name, the film follows Brundle, a brilliant scientist on the precipice of inventing teleportation technology.

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Just as he begins a relationship with a reporter fascinated by his work, Brundle suffers from a literal fly in the ointment - a common housefly that merges with his body, causing him to slowly morph into an insectoid monster. Jeff Goldblum is singularly excellent as the eccentric scientist, whose kind nature is gradually corrupted by the influences of the creature now inhabiting his DNA.
Whereas The Fly could only offer Vincent Price's head squealing "Help me!" in a high-pitched voice on a fly's body, Cronenberg's version explores the limits of human transformation. Brundle's flesh slowly sloughing off to give way to his horrific new hybrid form is an unforgettable image.
9 Tetsuo: The Iron Man
Melds Metal With Flesh In A Garish Union
Tetsuo: The Iron Man (1989)
- Release Date
- July 1, 1989
- Runtime
- 67 Minutes
- Director
- Shin'ya Tsukamoto
Cast
- Shinya TsukamotoSalaryman
- Tomorowo TaguchiMetal Fetishist
- Kei FujiwaraGirlfriend
- Nobu KanaokaWoman in Glasses
Tetsuo: The Iron Man (1989) is a Japanese cyberpunk horror film that explores themes of transformation and technology. It follows a man who gradually turns into a metal being after a series of disturbing events. The film is known for its intense visual style and visceral imagery, presenting a relentless fusion of flesh and machinery in a nightmarish urban landscape.
- Rating
- Not Rated
As disturbing as biological transformations can be, Tetsuo: The Iron Man unleashes the full force of artificial machinery into the human form, to twisted results. The fever dream narrative begins with an unnamed white collar protagonist, simply referred to as "the salaryman", who performs a hit-and-run on a strange figure obsessed with grafting metal to his flesh.
Before long, the salaryman starts undergoing his own painful metamorphosis, with twisted, jagged pieces of metal growing from his skin until he becomes an unstoppable monster. The lack of clear explanation for the salaryman's transformation only makes the story all the more terrifying, the audience being left just as confused about the condition as the screaming characters.
The black-and-white footage is the perfect mask for the impressive special effects, which make it difficult to tell where the human body ends and cold, hard steel begins. Laced witih a potent helping of psychosexual imagery to top off its scares, Tetsuo: The Iron Man is a wholly unique body horror chiller that more than makes up for its advanced age.
8 The Thing
The Template For Many Body Horror Films

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The Thing
- Release Date
- June 25, 1982
- Runtime
- 109 minutes
- Director
- John Carpenter
Cast
- T.K. Carter
- David Clennon
A team of researchers set out to study an alien spacecraft found in Antarctica, where they also discover an alien body on the site. The alien buried in ice is actually alive and has the ability to imitate human form. The group must find a way to distinguish who the real person is from The Thing and stay alive. John Carpenter's 1982 film is a remake of 1951's The Thing from Another World and stars Kurt Russel as the hero RJ MacReady.
It would be remiss to not mention The Thing when it comes to discussing body horror. Perhaps the legendary John Carpenter's single greatest film, the extraterrestrial invasion story begins with an eclectic crew of misfits conducting research in an isolated station on Antarctica. When a disguised alien organism makes its way into the facility, the crew is soon turned against each other, not knowing who to trust, as the titular amorphous creature tears through the station's staff with its jaw-dropping shapeshifting abilities before hiding in plain sight.
Despite being an alien invasion movie, The Thing wrings plenty of body horror out of the unique abilities of its eponymous villain. The legendary spider-head scene is a shining example of body horror done right, and the lengths the creature is willing to go to in order to procreate and survive are almost dizzying. With a tense, uncertain ending and a handful of excellent action beats leading there, The Thing is a visionary work of horror that has since spawned countless imitators.
7 The Brood
Links Body Horror To Mental Health

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The Brood
- Release Date
- May 25, 1979
- Runtime
- 92 Minutes
- Director
- David Cronenberg
Cast
- Oliver Reed
- Samantha Eggar
- Art Hindle
- Nuala Fitzgerald
Created by David Cronenberg, the Brood is a horror film that follows a man and his mentally ill ex-wife who become targets of an eccentric therapist looking to provide his brand of help. However, his unorthodox methods and secretive style raise concerns that something sinister is afoot.
A potent blend of psychological horror and body horror, The Brood manages to touch on fears of every kind while navigating its dark premise. Another one of David Cronenberg's unsurprisingly dominant body horror features, The Brood follows a mentally tortured woman who is left in the clutches of a strange psychiatrist by her ex-husband following an incident in which their child was injured. Before long, the attacks of a bizarre pack of dwarf-like children threaten to break her already fraying sanity.
The drama of The Brood is just as gripping as its mutant antagonists, with the custody battle between Nola and Frank clearly being inspired by Cronenberg's own experiences in co-parenting after divorce. But make no mistake, The Brood truly shines in its awful depictions of gore and disturbing homonculi, which wreak havoc on their "mother's" unstable psyche. The nauseating scenes of the creatures' psychosomatic birth is the horrifying cherry on top of an already deliciously scary body horror endeavor.
6 Crimes Of The Future
Cronenberg's Most Recent Body Horror Exploration

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Crimes of the Future
- Release Date
- June 3, 2022
- Runtime
- 107 minutes
- Director
- David Cronenberg
Cast
- Don McKellar
Crimes of the Future is a horror-thriller film by director David Cronenberg that follows Saul Tenser and his partner Caprice, performers who live in a future where surgeries are performative due to the advanced evolution of the human race. Together, they have a show where Saul puts the metamorphosis of his organs on public display. This draws the attention of a group that wants to use this metamorphosis to investigate an evolutionary disease.
Even in the modern day, Cronenberg's legendary body horror sensibilities remain unmatched, as verified by the likes of Crimes of the Future. Maddeningly unrelated to his previous 1970 film of the same name, the film takes place in a far-flung science fiction future in which humanity's advancements in medicine have led to a golden age of body modification. Here, an eccentric artist uses surgery to create ghastly pieces that push the limits of human evolution.
Crimes of the Future has a real point to its madness, ruminating on the dark possible intersection between performance art, eroticism, and scientific advancement.
Despite being a more recent entry in his filmography, Crimes of the Future is just as graphic as Cronenberg's older work. The film doesn't shy away from the surgical undertakings of its central character, showing full-frontal nudity, stomach-churning vivisection, and horrific final "art pieces" that are difficult for all but the most seasoned body horror fans to stomach. Beyond the surface level spectacle, Crimes of the Future has a real point to its madness, ruminating on the dark possible intersection between performance art, eroticism, and scientific advancement.
5 Videodrome
A Surrealist Masterpiece With Accurate Claims About The Future

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Videodrome
- Release Date
- February 4, 1983
- Runtime
- 87 minutes
- Director
- David Cronenberg
- Writers
- David Cronenberg
Cast
- James Woods
- Debbie Harry
Videodrome (1983) is a science fiction horror film directed by David Cronenberg. The movie stars James Woods as Max Renn, a television executive who stumbles upon a broadcast signal featuring extreme violence and torture. His obsession with uncovering the source leads him into a disturbing and hallucinatory journey, highlighting the destructive potential of media and technology. Debbie Harry also stars as Nicki Brand, a radio personality entangled in the narrative.
Cronenberg's first major cinematic outing, Videodrome proved for the first time why the legendary director's name deserved to become synonymous with body horror. The movie follows the exploits of the CEO of a small-time UHF cable channel who stumbles upon a broadcast of snuff films that showcases vile and intense acts of violence. Airing the footage in hopes of chasing sensationalist ratings, James Woods' Max soon delves into a depraved investigation into the broadcasts, uncovering what twisted means they hope to manifest.
In many ways, Videodrome is endearingly rooted in 80s technology, with the influence of cable TV being difficult to buy as a threat in the modern age. However, the film was quite prescient in its envisioning of a world overtaken by screens, something the digital age may have very well made into a reality. As a body horror film, the undulating combination of human flesh and digital consciousness runs up against the limits of human imagination, making for a singularly unforgettable staple of the subgenre.
4 Slither
A Sickening Evolution Of Alien And The Thing

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Written and directed by James Gunn, Slither tells the story of a small town that gets invaded by an alien mind-controlling parasite. Starring Nathan Fillion as Police Chief Bill Pardy, Elizabeth Banks as Starla Grant, and Michael Rooker as Grant Grant, the 2006 horror comedy marks James Gunn's directorial debut.
While he's better-known today for superhero movie franchises, James Gunn's filmography actually began with a slick body horror comedy called Slither. Taking clear inspiration from the likes of Alien and The Thing, Slither is named for its central villains, a series of slug-like alien parasites that infect the residents of a small South Carolina town.
When one of the beings forms into a powerful monster that establishes a local hivemind, it's up to a local police chief and a small band of recruits to take down the monster and slay the pack of creatures before they can infect anyone else. Slither deserves commendation for the sheer breadth of body horror it's able to show off.

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From violently gory kills to sickening transformations and the disturbing implications of the aliens capturing certain targets for "breeding", there are a lot of different types of trauma to digest throughout the festivities. Between its high body count and hard-hitting humor, it's easy to see why James Gunn was able to launch a career off of Slither.
3 Eraserhead
The Furthest Thing From Easy Viewing

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Eraserhead
- Release Date
- March 19, 1977
- Runtime
- 89minutes
- Director
- David Lynch
- Writers
- David Lynch
Cast
- Jack Nance
David Lynch's Eraserhead is a surrealist horror movie where Henry Spencer, played by Jack Nance, deals with the terrifying challenges of fatherhood, including caring for his deformed child. Released in 1977, the black-and-white film has sparked many discussions about its meaning and themes.
The premiere work of surrealist visionary David Lynch, Eraserhead is a horrific experience that defies typical convention and classification. The loose story is hung around a nervous young man who is spurred into marriage by his girlfriend's family after the two unexpectedly become pregnant.
However, what the girl gives birth to is far from a typical human baby, and the maddening assault of the senses that follows looms around the man's frustration in his circumstances. Eraserhead is a deeply personal film rooted in Kafkaesque stagnation and surreal nightmare sequences that smear the structure of traditional storytelling.
The ceaseless wails of the monstrous baby is only one small equation of the body horror that springs up in the vague narrative's wake, with deformed dancing women who live in radiators and sickening sperm creatures all contributing to the confusing fever dream of terror. An assault on the senses, Eraserhead earns its infamy as an outlandish, but incredible horror movie unlike anything else.
2 Re-Animator
Another Body Horror Comedy That Stretches Its Source Material To Great Lengths

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Re-Animator
- Release Date
- October 18, 1985
- Runtime
- 84 minutes
- Director
- Stuart Gordon
Cast
- Jeffrey Combs
- Bruce Abbott
1985's Re-Animator is a feature-length film based on H.P. Lovecraft's short story, Herbert West–Reanimator. The Horror and Comedy release follows a man that spends time attempting to create a reagent that will reanimate the dead.
Even if it doesn't qualify as a true Lovecraftian horror movie, Re-Animator deserves props as one of the only movie adaptations of H.P. Lovecraft's iconic horror stories to be played for laughs. The film posits Jeffrey Combs as Herbert West, the same character from Lovecraft's original story who becomes obsessed with resurrecting corpses via a special serum of his own design. However, as is often the case with movie necromancy, his subjects soon begin to exhibit some unsightly side effects, coming back as zombie-like monstrosities.
Re-Animator might play much of its absurdity for laughs, but still knows when to dial back the humor to let the horror shine. Beats like the infamous severed head scene exemplifies the film's ghoulish B-movie sensibilities, as well as demonstrating its gory creativity. Combs is endlessly entertaining as the frighteningly amoral Herbert West, who is nevertheless hard not to root for no matter how depraved his experiments become.
1 Raw
Whets The Modern Appetite For Visceral Gore

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Raw is a French-Belgian horror drama film directed by Julia Ducournau. The film follows Justine, a vegetarian veterinary student, who undergoes a drastic transformation after a hazing ritual introduces her to raw meat. As she grapples with newfound cravings, her identity and morality are challenged. Raw stars Garance Marillier and Ella Rumpf in leading roles, offering a unique exploration of coming-of-age themes interwoven with darkly compelling horror elements.
The best body horror movies are able to take something mundane and twist it into a depraved act that seems unthinkable by sheer exaggeration. Raw sets its sights on meat eaters as a thoughtful dissection of human consumption, centering on lifelong vegetarian veterinary student, Justine. After being forced to eat raw meat for the first time in her life due to a hazing ritual, Justine soon finds herself with an insatiable craving for the stuff, progressing from simple hamburgers to freshly-slain human flesh.
Simultaneously a great comedy, coming-of-age film and body horror movie, Raw is a modern classic in a subgenre full of legacy picks.
Raw is one of the best body horror films for how closely it ties its themes to the depravity unfolding on screen, making a true statement with its bloody carnage. The psychosexual and thoughtful meditation it offers on the nature of base human desires more than earns its most stomach churning setpieces, never inflicting violence without a good thematic reason. Simultaneously a great comedy, coming-of-age film and body horror movie, Raw is a modern classic in a subgenre full of legacy picks.
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